IN MY WORLD DESIGN SHOULD NOT BE BASED ON TRENDS – A MIXTURE OF TRIAL AND ERROR WITH CAREFULLY CONSIDERED FINISHES AND ATTENTION TO DETAIL. I PREFER TO THINK ABOUT PERSONAL INVESTMENT AND ENSURE THERE IS A FLOW OF TIMELESS CRAFTSMAN - SHIP THROUGHOUT HIS DESIGN PROCESS, PRODUCTION AND FINAL EXECUTION. THE MAIN PRIORITY ISN'T TO PRODUCE WORK WHICH IS PREDICTABLE. THROUGHOUT THE YEARS OF STUDY AND INDUSTRY EXPERIENCE I HAVE PRODUCED HIS OWN MILIEU OF NEW DESIGN SOLUTIONS – BUILDING A NEW SILHOUETTE, FABRICATION, AND FRESH IDENTITY.




IN MY WORLD DESIGN SHOULD NOT BE BASED ON TRENDS – THE DESIGN PROCESS DEVELOPS INTO CONSIDERED FINISHES AND ATTENTION TO DETAIL. I PREFER TO THINK ABOUT PERSONAL INVESTMENT AND ENSURE THERE IS A FLOW OF TIMELESS CRAFTSMANSHIP THROUGHOUT HIS DESIGN PROCESS, PRODUCTION AND FINAL EXECUTION. THE MAIN PRIORITY ISN'T TO PRODUCE WORK WHICH IS PREDICTABLE. MY DESIGN AESTHETIC HAS BEEN BUILT AROUND BRUTALITY AND MINIMALISM OVER THE YEARS - FINDING THE BALANCE BETWEEN RAWNESS AND HIGH END LUXURY WITHIN THE FASHION AND CONTEMPORARY ART INDUSTRY.




MY DESIGN PRACTICE HAS BEEN COORDINATED AROUND MEMORABILIA, SPORTS EQUIPMENT, AND UNCONVENTIONAL MATERIALS - FROM USING DEAD STOCK SHOULDER PADS / LEATHER HIDES FROM TAILORING COMPANIES IN MANCHESTER. TO HAND PAINTING FABRIC WITH PAINT TO PRODUCE A TIMELESS FORMALITY IN HIS WORK. MY SERIES WORK IS AIMED AT DECONSTRUCTING THE INTEGRITY WITHIN MASCULINE PRACTICES — BREAKING DOWN THE OBJECTIFICATION AND MECHANISMS WITHIN MALE-DOMINATED ZONES AND AUTHORITIES - RESEARCHING BOXERS, POLICE OFFICERS, AND SCHOOL BOYS FROM THE PREHISTORIC AND MODERN PERIODS. I USED METAL AGAINST DUCTILE FABRICATIONS. I WOULD LIKE TO PRODUCE MY OWN HARDWARE AND USE OLD BOXING SHEETS IN MALE DOMINATED AREAS THROUGHOUT EUROPE - TO PROVIDE A SENSE OF SOLIDITY AND AUTHENTICITY WITHIN THE SELECTION AND ORDER OF MY PROCESS.
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