Using the ganseys as a base, Hannah Stote used traditional stitch patterns to contrast the workwear aesthetic of the ganseys with the elegance of pre-raphealite inspired photos by J.W.Waterhouse - influenced by the tales of sirens and mermaids that entranced fishermen. Mixing cables, plaits and tuck stitches to create complex knitted structures, Hannah manipulated them to resembled garments washed up on the sandy beach - creating dimensional and textured drapes unseen in most modern knitwear. She also played with scale and yarn thickness to subvert the traditions of cabled knitwear.