Kun Qian’s collection was heavily inspired by her memorable experience of her 5 year in London. She is constantly surrounded by traffic jams, pollution, people and overall overstimulation. Over this time she has become more and more appreciative of peace, quiet and nature. She feels happiest and most inspired when she is in one of the many public gardens, feeding swans. It makes her feel at ease and gives her a lot of gratification. There are two things in her life that make her relaxed. Having a bath and going to the park to feed the swans. She really hopes her apartment could be a garden, she would have her own swan she can feed while taking a bath.




She presented her concept of a garden home to stave off toxic, bustling city life, where she bathes with swans and nurtures plants, inspiring her tiled sink shape dresses, sheer curtain bridal veil and repurposed plastic waste embroidery. The metallic colour necklace made from recycled house plastic tube is inspired by taps. The round mirror hat decorated by shells which shape specially designed by herself.




The collection print skill focus on hand painting, tie dye, screen printing and embroidery both by hand and machine. All prints painted on transparent fabrics, silk, devore etc. The aim is to create a watery effect in the prints so when the model wears the garment it would look like the body is surrounded by water and enjoying bathing time.




She moulded a bathtub shaped dress in a real bathtub using double glue buckram millinery canvas. Firstly, she sprayed water on the canvas then stretched it according to the shape of the bathtub, so the canvas will stick on the bathtub. The canvas will keep its shape after drying. The collection style is very feminine and romantic. Each piece looks like an installation but still could be worn on the body in an elegant style. Each look is made with see-through fabric to showing the silhouette of the body.