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- Melanie Yau | University of South Wales 2016

After watching what many netizens dubbed to be one of the best period dramas to date, The Empress of China, Melanie drew inspiration from the character’s costumes. Using a combination of traditional Chinese and Japanese wear with elements of modern European garments, Melanie’s collection focuses on using origami shapes and tailoring techniques to create a gender-neutral collection. Flowers were the motif of the collection. Using different folding techniques, Melanie applied this to her garment to create volume and three-dimensional shapes, focusing all of the drama on the top half of the body. In contrast, clean lines and refined tailoring were used on the bottom half, a happy medium between tradition and modernity, simple and decorative.
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