By combining colours and fabrics from traditional British garments with construction materials and shapes inspired by Brutalist architecture, a general aesthetic was achieved.

Vintage garments were sourced and striped back to their basic fabric. Paul used many different garments, but particularly skirts and blazers made from tartans, tweeds, and herringbone.

As Paul experimented with different colour/fabric combinations he developed the prototypes of the garments. Creating his own fabrics was very time consuming, but absolutely worth it as many unique effects were achieved.

These traditional fabrics were combined with more modern fabrics, such as neoprene, that was printed with a traditional Fair Isle pattern to give an interesting mix between traditional aesthetics and modern sporty aesthetics.

The development process was long and complicated. As Paul was developing and making the fabrics, he simultaneously developed the prototypes. Once the fabrics and prototypes were finalised, work could begin to create the final garments.