Her works are born from the fusion of two factors: the encounter of the inner and outer worlds. Her work is based on the practice of conscious presence (mindfulness, meditation, contemplation) during the painting process. She starts each of her works without planning it in advance. After the initial image forms on the canvas, the knowledge of how to proceed comes with the process. She asks the painting what the work requires and she is in harmony with it. Colours and shapes are intuitively selected for the works until they resonate with each other.

She does not limit her painting process to just what happens in her studio during the creation of the work; it is influenced by everything she has experienced and seen before. Colours, shapes, and the interplay of light and shadow are stored as sketches somewhere in her internal memory. Although the completion of a work may sometimes be a quick event, all the exercises she has done before are condensed in it. She does not draw or paint actual sketches, but she practices the cooperation of hand, mind, and eye by drawing, especially the human body. She particularly enjoys a few minutes of croquis drawings, as during them the cooperation of hand and eye must be seamless.

Her sculptures are also based on the study of the human body. Before creating sculptures, she has made a very classical sculpture from a live model and several few-minute croquis exercises from clay. The basis of abstract sculptures is always the human body, which is shaped into its new form according to the conditions of the clay.

When painting, she favors two techniques: oil painting and oil pastels. she listens to herself as the creator of the work according to her current state of mind. The slowness of oil painting allows for the transparency and layering of colour layers. Oil pastel is created in the moment, with energy bursting onto the paper in colours, making it impossible to correct afterward.

Many abstract painters leave interpretation completely open and do not name their works. For her, the work is born with naming. Just as she is open to the technical implementation methods of the works, she feels poetry and verbal connection are part of her activity. When the work is finished, it gives itself a name, which can also be surprising to her, such as My Cat in the Sun Thinking Like a Mountain or After the Feather Rain (Underground We Rest).