The collection distorts 1950s couture and tailoring and takes a comical approach to design, embracing the fragile psyche of the perfect woman as a camp caricature of herself. Yen’s approach to pattern cutting involves exaggerating shoulder and hip silhouettes, reinterpreting Dior’s iconic New Look with a skewed perspective. Additionally, she plays with voluminosity, using traditional couture techniques to achieve high levels of volume.