Kat’s debut BA Graduate collection, THE FLOWER BOYS CLUB centres on Britain’s most exclusive all boys’ boarding school, Eton College. With strong comparisons to modern cult societies and Etons educational institute opposite, Black Mountain College. This is an in-depth exploration of the hierarchical elite.
Katherine’s graduate collection was strongly inspired by her Mongolia journey when she was ten years old. She collaged her research and from her observation of human action to visualise her imagination into wind force to express the movement during the trip.
Kelly’s work is informed by the experimentation and development of a variety of textural forms including knitwear; sculpted into wearable garments. Alongside these more experimental processes she uses Lectra pattern cutting software to complement and enhance the design process, in order to achieve a carefully considered shape.
Kelly's collection is inspired by looking at forms of movement and studying ways to create new forms of motion in fashion, exploring a range of movements, such as perpetual motion, counterbalance, ball bearing spinners and also captured still motion. the inspiration began from the science behind how a dog shakes its fur, and capturing this type of movement and translating it into a garment. 
Katie Holmes’ graduate collection concept started with British rebellion in fashion during the ’80s after a long period of rioting and rebellion in Britain. The Buffalo collective was made up of photographers, designers and artists. The disruptive and radical movement transformed the way that society absorbed fashion with a pioneering style, showing new masculine identities that became one of the most influential of the decade. The creative group included Ray Petri, Jamie Morgan and other members from a diverse range of backgrounds. The word Buffalo itself was a Caribbean expression adopted by Petri, used to describe rude boys and rebels.
Throughout my collection, Saville Row cloth merchant Holland and Sherry has been very supportive, generously sponsoring and subsidising my fabrics whilst also assisting with sourcing. 
First, while researching the surroundings of foreigners living in Japan, KEI consulted a photo book about Brazilian Group called “Familia Homi Danchi” (2016). They lived in a Japanese housing estate called "Danchi", and their relations with the local Japanese residents were often a problem.
In the eyes of Kejia, architecture and fashion garments have always had a special relationship, as they both surround and protect the space of our physical body. In the beginning of her project, titled " Architectual skin", Kejia was inspired by Frank Gehry's architecture creations, especially the way she manipulates the shape of window, and the curve lines she utilises in some of her designs.
The collection Oblivion is complex and controversial. It takes its inspiration from a seductive, witchy diva and is dealing a lot with symbolism and spirituality.
Kirie lea’s collection was heavily inspired by the juxtaposition of traditional samurai to contemporary street culture. The comparison of Tomoe Guzan (the first female samurai) and Tina Turner (singer/songwriter) and how they overcome their personal struggles, reflected on her own negative personal situation and representing herself in the narrative as a phoenix.
Kun Qian’s collection was heavily inspired by her memorable experience of her 5 year in London. She is constantly surrounded by traffic jams, pollution, people and overall overstimulation. Over this time she has become more and more appreciative of peace, quiet and nature. She feels happiest and most inspired when she is in one of the many public gardens, feeding swans. It makes her feel at ease and gives her a lot of gratification. 