JEWELLERY DESIGN PROCESS


ALEXANDRA AFANASYEVA

Alexandra Afanasyeva’s graduate men’s jewellery collection is dedicated to polar expeditions. Conceptually the collection evokes the spirit of exploration which is closely linked to such notions as identity and rite of passage.

Climbing gear, survival equipment and various tools including ones from Inuit tribes and those dating back to the Ice Age are the main basis for the collection.

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BEICHEN GUAN

Beichen Guan’s collection is inspired by the star pattern emoji that people easily can understand, transformed into teeth whitening products and tools. The collection is a entertaining way to show people just like her, who try so hard to whiten their teeth because of aesthetic pressures from society.

The human tooth has evolved since the ancient age. Dental development in the modern world is a milestone that every person has to undergo in child development. But in the contemporary consumer culture, dental treatment has always been “cosmetic”, concerned with aesthetics as much as function.

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DIAN CHEN


Inspired by visual elements found in historical LGBTQ movements especially the gender symbols, Chen build the first limb of her work on a creative review of the proud history of queer right fights.A re-compositional approach was taken to turn the original symbols into 3-D objects that then formed a humourous reflection of beard and/or mustache.

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EDWIN CHARMAIN

With a narrative that stems from the journey of Indonesian batik to the heart of its modern society, Charmain's jewellery collection explores the evolution of Indonesian batik through history in terms of technique, pattern, production and consumption.

He gives a new life into the thousand years tradition by transforming what once a two-dimensional waxing technique on top of fabric into a three-dimensional jewellery object, emphasising on the sustainability and survivability aspect of Indonesia handcrafted batik in this machine production era.

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ELENA KURGINYAN

A starting point for Elena’s collection was a film “The Colour of Pomegranates” as cinematography takes a big part in her research and design developmentt. One of the key points of both of her concept and designs started after reading a book by Hamid Naficy “An Accented Cinema”. Elena’s thinking process and the narrative of the project has been influenced by numerous personal feelings such as memory, nostalgia, family and relationships between people.

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ELLIS MHAIRI CAMERON

O R I G I N S

Ellis’ latest collection, Origins, takes inspiration from the jewellery hoards which have been found across Scotland, containing pieces which transcend the centuries and encompass the heritage of many different lands.

Origins takes qualities from these hoards; a myriad of coins and jewels, fragments of history, pollinated from different areas. Sculpted in 14 carat yellow gold and set with diamonds, the Origins collection is a fusion of intricacy and erosion. Historical shapes are deconstructed into sculptural fine jewellery situated firmly within today’s modern world.

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EMILY HE

Many words have been penned about the differences between the East and the West. The list is rather extensive, subcategories under umbrella categories. Emily He, a graduate from London College of Fashion BA Jewellery program, can speak extensively about this subject - a subject that inspired her graduate collection.

Having spent an equal amount of time in both Hong Kong and the UK, Emily’s voice on culture difference, habits and behaviours comes from experience.

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JUNG HSUAN LIN

Jung Hsuan Lin is a jewellery designer from Taiwan who loves travelling and exploring different cultures. Whenever she goes, she took inspiration from the curves of the architectures for her design. Lin also has a painting background since her childhood, and now she uses enamel as a media to explore colour in her fine jewellery collection. Lin did two year research for enamel jewellery in Central Saint Martins. Enamel is a material which has a rich historical background in Russia, France, China and Japan.

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LISA HANNA OSIMO

Lisa Hanna Osimo’s collection was inspired by a need and a right she has got of being different, unique and especially FREE. She speaks for every woman and man, who’s tired of being judged and who just wants to express her uniqueness and style through her attitude as well as with her look.

While she was looking for material inspiration she came across a nylon mesh tube that has got a peculiar mechanism of “trapping” the finger once it has been worn.

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MARIA IVANESCU COTUNA

Maria Ivanescu Cotuna’s designs are filled with stereotypical cultural meanings. Each piece is created using dissimilar materials and colours, allowing her to explore enigmatic analogies while designing. She aims to both subdue and regulate desire. The cunningness of the collection is unpredictable and adverse.

Mischief is represented by the tongue, that twirls invitingly, the gesture is sarcastically provocative. The cross stands for pure appropriation yet the association with the tongue defiles the propriety and the sanctity of the religious symbol.

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MEIQI LUO

Inspired by a combination of both manmade and natural settings, such as buildings in the rain, Meiqi’s designs are unique and everything in life can be considered as an inspiration.

Strong characteristics and skilful techniques come together to create an artistic aesthetic, in which the quality and shaping of the metal she uses as a material is a priority in her collections. As well as considering the movement, tiny details are also important when it comes to the qualities of the stainless steel and laser-welder used to combine steel and metal together beautifully.

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MENG ZHANG

Meng takes inspiration from Chinese calligraphy, architectural forms and curves and gestures of the human body. Curves constantly change and form unexpected lines; this tells you a lot about the wearer’s personality. The energy within movement shares the same philosophy and logic as Chinese calligraphy.

Meng connects intangible movement to tangible volume with every stroke. She combines modern elements of architecture shapes to further enhance her designs.

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MICHELLE LUNG

Michelle Lung’s collection draws upon the untouchability of digital culture we are undoubtedly surrounded by and arguably depend on everyday. Nowadays, it may be argued technology is one of our most valued possessions; if there was a fire, most people would reach for their smartphones and laptops before the contents of their jewellery box. The majority of people hold a mobile or are plugged into earphones closer to their body more than jewellery does. So are these now becoming arguably more personal, precious and considered artefacts to adorn the body than jewellery is?

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QI WU

Qi Wu found inspiration for her collection through quirky, chunky objects from all over the world and was captivated by Kintsugi, an ancient craft skill. On her travels, Qi would buy different items in a variety of countries and would use them to decorate her living spaces. She then decided that if these items can be used to decorate her house then why shouldn’t she use them to decorate herself and give them multiple purposes.

Qi Wu didn’t like the idea of old things becoming abandoned. The potential and fascinating aspects of certain items can be discarded so easily in the rapidly developing modern society that we live in.

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SARA CHYAN

Jewellery is an object that carries more than just an intrinsic significance, for it is not merely an ornament but also a medium for expressing one’s individuality.

In this project, Sara chose to use gallium and bismuth because she believes these two metallic materials possess symbolic attributes that can be employed to reflect the emotional state of the wearer. This is inspired by her obsession with heat, exploring the possibility of using temperature to assess one's emotional state.

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XIAOQING LIU

Xiaoqing Liu focused on the relationship between solid and liquid. The texture, structure and colours of the opposite materials reflect a variety of moods, which is what Liu based her collection on.

Liu was inspired by these diverse matters in the world as they exist in every aspect of our day to day lives. In order to understand what they demonstrate to each individual it was important to explore their materiality.

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YANA ISTOMINA

Inspired by the visual aspect of physical changes that occur with time, Yana’s collection focus on wrinkles and the body’s shape. Her work is based on her personal feelings provoked by the ageing process of her own skin and the anticipation of its future changes.

According to Yana’s research there are two main opinions formed by social norms as well as personal feelings. One of them is positive: age is viewed as something to be proud of, as a testimony of valuable experiences and the visible part of our personality.

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YE-BYEOL SIM

To provoke individual’s narratives, pareidolia phenomenon is used as an inspiration for ‘What or Who’ collection. This ubiquitous psychological illusion is especially pronounced when you see face-like objects and is translated as an individual story by the reminiscences, facial expression or signification. In the design process, Sim focused on transformation of the shape balancing between obviosity(the features of a face) and ambiguity(little scope for the imagination) so as to enhance wearers’ involvement.

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YIHONG LYU

I was particularly inspired by old or antique paintings and murals-the postures of individuals are a bit naive compared to realistic paintings but that is where it attracts me.

As a human being born with curiosity we often wonder about everything around us. I always love looking up to the sky and star-gazing since I was young, for me, astronomy is the exploration to the universe, the universe is actually everything that exists.The dark sky always leaves us with endless curiosity, imagination and expectation.

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YI ZHOU

Body Memory is formed from the hypothesis that the body itself is capable of storing memories, as opposed to only the brain. The recollections that our body stores are not always ones that we are consciously aware of, such as sounds, smells, touches and so on.

These unconscious memories are imprinted all over our bodies on a cellular level. Therefore it is the cells that store information of our experiences, habits, and sensations. Things like skin, muscles and nerves all accumulate these details as they actively engage in our daily lives.

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YILAN LIU

The collection is based on Yilan’s experience of visiting Gothic churches in Western countries. She was moved by the peaceful and powerful vibe created by the Gothic interior with space and colourful light. With the interest in the way how the vibe influences audience, the collection encapsulates the sublime internal atmospheres, exploring and skilfully exploiting Gothic structural details to stimulate the particular feelings familiar to this genre.

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YOSTER

Hila participated in a student exchange program at Trier University of Applied Sciences with their gemstone and jewellery department, for Fine art degree in Idar-Oberstein, Germany. Her time there was a big influence when it came to using art to create her jewellery pieces. She would seek materials and forms that maintain a dialogue between culture and material.

Living next to a desert landscape influenced and inspired her when it came to creating her identity as an artist. The roughness, textures and colours drive her when she designs.

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YUE CUI

“Have you really felt a natural world, a world which is full of various types of wildlife? I can only say that I have seen a small part of it, some of the last parts left behind in the process of urbanization. They are to me, unforgettable”. Yue Cui’s collection Animated Companion takes visual inspiration from the active postures of animals. The first idea came up when she saw the vivid posture of preserved animals in the museum which evokes the good memories of her childhood in a countryside.

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ZHAOSHEN WANG

Zhaoshen Wang, a Chinese jewellery designer, designs in an open society. This tolerance allows Wang to link cultures and create a mixed design language in his MA collection. Wang started with the observation and research into the frequent social events surrounding identities, that are a characteristic of contemporary European cultures. Events such as gay pride, national naked ride, festivals, marches, and gatherings.

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